press
"That's what's interesting about this group, this subtle mix of ingredients from the four corners of the Mediterranean"
Jacques Prouvost from Jazz blog JAZZQUES really enjoyed 3'Ain at Brosella XXS festival.
Read his full review (in French) on his JAZZQUES blog.
"... corrupted and impure but with a directness and emotional value to say the least."
Thank you Georges Tonla Briquet and Jazzenzo Jazzmagazine for the beautiful review of our debut EP 3'Ain.
′′Describing the debut disc '3'Ain' as crossover would be an easy solution without putting everything into context. For the five compositions, the trio borrowed style elements and motifs from both Western and Eastern circles. A subtle cocktail of merges, as jazz can be. With accordion, trumpet and double bass they tentatively test a (limited) number of possibilities. Swing is missing, improvisation and blues on the other hand partly determine the main colour but following to the Maris method. And that means corrupted and impure but with a directness and emotional value to say the least..."
Read the full text (in Dutch) here
"This makes for a very interesting first EP, definitely worth checking out live"
Nicolas Van Belle wrote a very nice 3'Ain review for Luminous Dash Musiczine.
Check out his review (in Dutch) on their website or by clicking on the document on the right.
3'Ain newsflash at Musiczine.net.
Check it out here!
Big thanks to Concert Monkey for featuring the new 3'Ain EP!
Check out concertmonkey.be to read their feature.
The highly influential Jazz blog 'Bebop Spoken Here' honoured us with the first 3'Ain review from the UK.
Have a look at their website!
"Of the best that came from Ostend since Sexual Healing."
A first raving review (in Dutch) of 3'Ain's debut EP!
Jordi De Beule wrote the first review of our EP for Jazz & Mo'
"Anyone who has listened to Khaltoum by Ibrahim Maalouf in a loop by now, will surely enjoy the Middle Eastern jazz of 3'Ain. For what a pleasure it is to hear the Syrian trumpeter Yamen Martini!
In 2015 he arrived in Belgium and there he quickly crossed the path of Piet Maris. Since then, the two have worked together several times and when the opportunity arose for a residency in the Ostend arts workshop O.666, they immediately drummed up Otto Kint.
The result is an EP full of atmosphere.
Inspired by the view of the harbour, the opening song, originally written for a short film, gets a firm dose of sailor's grief. And also other songs are often drawn by what the Portuguese call so beautifully saudade.
The boats after which songs like Njord Puffin are named, you can almost hear them creaking and you can see them sailing towards the wide sea - giving and taking.
Thanks to a flawless recording, we get all the subtleties of the interplay of this trio: the full bass sound of Kint, the swelling and dying movements of Maris, the copper breath of Martini. How the latter pierces the silence, at times even reminds us of Soleá by Miles Davis, to name a big shot.
Of the best that came from Ostend since Sexual Healing."
Read the review (in Dutch) on the Jazz&Mo' website
Some advice by our singer & accordion player Piet Maris for a nice Sunday in his beloved Brussels.
In the latest edition of De Zondag.
Discover his tips (in Dutch) by clicking the link on the right.
"The entertaining music is full of vitality and dynamism, propulsive, lively, and despite some twisted time signatures, as in "Refugees Welcome" (7/8), always dancing, the feet never want to remain motionless, the body swings all the time."
Nothing better to start the week then an enthousiast review:
The entertaining music is full of vitality and dynamism, propulsive, lively, and despite some twisted time signatures, as in "Refugees Welcome" (7/8), always dancing, the feet never want to remain motionless, the body swings all the time.
Their lyrics, written in a wild mixture of English, Dutch and French, are intelligent, poetic and demonstrate a sincere social commitment.
The crazy horns, crisp grooves and unbounded enthusiasm by the six first-class musicians are fun, the mix of punchy acoustic music somewhere between ska, polka and Balkans-Brass with peppered lyrics ignites from the first song.
"Europeana'' is a great album.
Written by Guntmar Feuerstein in the German Folkmagazin.
"Jaune Toujours has long since blossomed into an internationally renowned cult band that also delights audiences beyond world music festivals"
Michaela Reh wrote a small review for Boyens Medien about the Frequenzen-Festival in Meldorf (Germany) where Jaune Toujours made young and old shake their tailfeathers.
Read her full review (in German) by clicking the link to the right.
Seelenfänger made some nice pictures, check them out below!